Reading the billboards, the trash, the cars, the people, and the graffitti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking, "Whose culture gets in the magazines and whose culture is required to exist in the street?" A collage of super-8 footage shot while cruising the streets of a predominantly Latino neighborhood with a voiceover of Rosler's commentary, the tape successfully combines social analysis with everyday observation, drawing attention to the structure of society's fabric and reevaluating what the dominant culture calls "trash." -- EAI
This title is available for exhibitions, screenings, and institutional use through Electronic Arts Intermix (EAI), NY. Please visit the EAI Online Catalogue for further information about this artist and work. The EAI site offers extensive resources for curators, students, artists and educators, including: an in-depth guide to exhibiting, collecting, and preserving media art; A Kinetic History: The EAI Archives Online, a collection of essays, primary documents, and media charting EAI's 40-year history and the early years of the emergent video art scene; and expanded contextual and educational materials.