Malcolm Le Grice b. 1940
Yes No Maybe Maybe Not (1967)

This is a film, which like Little Dog For Roger, makes its experience through specific cutting devices in the printing and processing technique. The images which are used certainly have been chosen for meanings and qualities they imply. But the impact of the film comes through the way in which they are transformed in the printing – mainly involving certain kinds of positive-negative superimposition. There is no thematic or narrative aspect to this film…it is almost entirely a present visual-movement experience. -- Lux

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